Britain is a recent graduate of the American Academy of Dramatic Arts, where she completed two years of intensive conservatory training in both on-camera and theatrical performance. She brings 13 years of dance and seven years of regional theatre experience to her work in New York City, combining physical discipline with emotional depth. Upon graduating in 2017, she was awarded the Marc Fiscer Award for the most significant overall growth in her class.
Her recent stage credits include Advance Man, directed by Zenon Kruszelnicki, and Macbeth, directed by Susan Pilar. She is a fresh, grounded presence with a quiet intensity that makes people lean in. Often described as a young Ellen Pompeo, Britain draws audiences in with stillness—and holds them there with what's just beneath it.
At the core of her artistry is what she calls the “Controlled Flame”—a calm, nurturing exterior charged with raw emotional power. This isn’t a persona. It’s her essence, named. It's what’s always been there—under the restraint, under the roles, under the fear of being too much. Her signature archetypes include the Polished Volcano, the Soft Wound, and the Beautiful Threat—characters that live in the quiet before the eruption, the grace before the reckoning.
She is most alive when making bold, unvarnished choices, and most compelling when she stops translating her truth. She doesn't just disappear into roles—she reveals something we weren't ready for.